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Aesthetics --- Esthetica --- Esthétique --- Art --- Philosophy --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Criticism --- Literature --- Proportion --- Symmetry --- Psychology --- Radio broadcasting Aesthetics

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Aesthetics --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- Psychology --- Aesthetics. --- Radio broadcasting Aesthetics

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This book constructs a theory of ruins that celebrates their vitality and unity in aesthetic experience. Its argument draws upon over 100 illustrations prepared in 40 countries. Ruins flourish as matter, form, function, incongruity, site, and symbol. Ruin underlies cultural values in cinema, literature and philosophy. Finally, ruin guides meditations upon our mortality and endangered world.

Architecture --- Aesthetics --- Ruined buildings --- Antiquities --- aesthetics. --- antiques. --- Antique collecting --- Antiques --- Art --- Collectibles --- Collectors and collecting --- Decoration and ornament --- Decorative arts --- Art objects --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Criticism --- Literature --- Proportion --- Symmetry --- Psychology --- Radio broadcasting Aesthetics

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L’individuel est une notion qui place la philosophie devant un défi multiforme. Comment la pensée et la connaissance prétendent-elles appréhender ce qui se présente volontiers à la fois comme le grain et le critère de la réalité ? Et a-t-on seulement raison de le considérer comme tel : n’est-il pas plutôt un caractère dérivé du réel, dont la nature fondamentale serait pré-individuelle ? Cette difficulté est, à bien des égards, celle de la raison clinique – non pas en un sens exclusivement médical (ni thérapeutique), mais au sens large d’un face-à-face avec le « ceci », et d’une prétention à sa connaissance minutieuse. Logique, épistémologie et métaphysique sont ici mobilisées, selon des approches à la fois distinctes et combinées, afin d’explorer, de façon méthodique et diversifiée, un problème commun.

Aesthetics, Modern --- Art --- Esthétique moderne --- Philosophy. --- Philosophie --- Philosophy --- German philosophy --- Romanesque aesthetics --- 19th century --- Esthétique moderne --- Beautiful, The --- Beauty --- Aesthetics --- Art and philosophy --- Analysis, interpretation, appreciation --- History --- Aesthetics, Modern - 19th century --- Art - Philosophy

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Production of Presence is a comprehensive version of the thinking of Hans Ulrich Gumbrecht, one of the most consistently original literary scholars writing today. It offers a personalized account of some of the central theoretical movements in literary studies and in the humanities over the past thirty years, together with an equally personal view of a possible future. Based on this assessment of the past and the future of literary studies and the humanities, the book develops the provocative thesis that, through their exclusive dedication to interpretation, i.e. to the reconstruction and attribution of meaning, the humanities have become incapable of addressing a dimension in all cultural phenomena that is as important as the dimension of meaning. Interpretation alone cannot do justice to the dimension of "presence," a dimension in which cultural phenomena and cultural events become tangible and have an impact on our senses and our bodies. Production of Presence is a passionate plea for a rethinking and a reshaping of the intellectual practice within the humanities.

Aesthetics. --- Experience. --- Knowledge, Theory of --- Philosophy --- Psychology --- Reality --- Pragmatism --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- Aesthetics --- Experience --- betekenisgeving --- interpretatie --- menswetenschappen --- presentie --- zintuigelijkheid --- meaning --- interpretation --- humanities --- presence --- sense perception --- Radio broadcasting Aesthetics